Grindhouse Tamil Dubbed Movie Download
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Grindhouse Tamil Dubbed Movie Download
An homage to exploitation B-movie thrillers that combines two feature-length segments into one double-bill designed to replicate the grind house theatergoing experience of the 70s and 80s. In "Death Proof," a psycho named Stuntman Mike stalks and kills beautiful women with his car. In "Planet Terror," a small-town sheriffs' department has to deal with an outbreak of murderous, infected people called "sickos." A gun-legged woman named Cherry and her martial arts-wielding partner take on the zombie army. The two films will be fused together by fake movie trailers.
Quentin Tarantino and Robert Rodriguez's homage to exploitation double features in the 60s and 70s with two back-to-back cult films that include previews of coming attractions between them.
First I'll say that I completely love Tarantino and Rodriguez -- almost all of their work. Pulp Fiction and Sin City are two of my favorite movies of all time. However, in Grindhouse they have tried to exploit what they feel has been selling their other films: comically excessive violence. There is nothing new or interesting about this movie; it was simply advertised well. The fan base that Tarantino has created since Reservoir Dogs and Pulp Fiction is gigantic, and rightfully so. And every fan will claim that Grindhouse is great, but only because they want to support the director who filmed these masterpieces. None of the characters are interesting or even likable, and there are long, long boring segments in which not a single thing happens. There is one coffee house scene with nothing but 15 minutes of meaningless girl talk. I only hope that this film doesn't mark the beginning of Tarantino's downfall. The fact that this film is taking up one spot on the IMDb 250 reveals the flaws and the incredibility of the IMDb rating system. Don't waste your time with this film.
I'd like to commend the film makers for taking a cool idea of a 70's type flashback film and being brave enough to actually try it.
This film will ultimately have some life to it, the question is: Is it going to be remembered as a brave experiment or a gigantic bad film bust?
The movie is way too long. When I say long, I don't mean just because of the length...I mean it becomes too slow.
Terror Planet is a cool little film, nothing amazing and it isn't From Dusk Till Dawn. But it is entertaining. The John Carpenter music was a nice touch. The trailers are a riot to watch. Death Proof is really sub-par. It was almost painful to watch. We are bored to tears by long dialog which goes on and on. It isn't even interesting dialog, it just makes us want to throw popcorn at the screen! The characters are so paper-thin you want to cheer when they are killed. Kurt Russell's killer character made no sense. He turns psycho one minute, cry baby the next.
Yes, a cool but somewhat boring movie. How did this turn into a $60 million movie and counting?
I heard rumors that the producers are thinking about re-releasing Grindhouse as two separate U.S. films. Publicity stunt? Definitely. Like Death Proof could even stand on it's own as a single film. And, like the producers are going to fork out more cash to release a "loaded cigar" this way.
As another reviewer put it, see it at second run and walk out before Death proof- a little less painful.
Cult or complete bomb? time will tell.
I suspect that Death Proof will throw some of its director's admirers for a loop, though it may be the most revealing thing Tarantino has yet done -- a full-throttle expression of a singular artistic temperament disguised, like so many gems of grindhouses yore, as a glittering hunk of trash.
A "Grindhouse" was a type of inner city theatre that would play all night marathons of low-budget exploitation films in the 1960s, '70s and early '80s. These down 'n' dirty theatres would often show offbeat ultraviolent and sexually charged films under the categories of Kung Fu (Shaw Brothers films), Hixploitation (White Lightning, Gator Bait), Blaxploitation (Shaft, Coffy, Superfly, Dolemite, The Mack), Sexploitation (Supervixens, The Swinging Cheerleaders), Zombie and Cannibal films (Dawn of the Dead, Zombi 2, Cannibal Holocaust), Biker films (The Wild Angels, The Glory Stompers, The Savage Seven, The Losers) among hundreds of other subgenres. In the suburbs during the 1960s and '70s, Drive-ins were the equivalent to the inner city Grindhouses. You could see many of the same kinds of films from the convenience of your car. The title of Robert Rodriguez and Quentin Tarantino's first collaboration From Dusk Till Dawn (1996) was named after the catch phrase for the all night Drive-in movie marathons. Both Robert Rodriguez and Quentin Tarantino grew up watching these kinds of films in Grindhouse theatres and drive-ins in the 1970s and early 1980s. When they became friends in the early 1990s they often held Exploitation film double features in their own home theaters (and also at QT's Film Fests in Austin, Texas). Flash forward to 2006, the two moviemaking pals decided to recreate these wild nights for movie audiences around the world by making their own traditional Grindhouse-Drive-In double feature extravaganza complete with two raunchy horror films, fake exploitation film trailers, ads and other cool treats. First: Robert Rodriguez brings us "Planet Terror" in which a town is overrun by disease infected sickos. Then comes Quentin Tarantino's "Death Proof", in which a serial killer named Stuntman Mike murders people by the use of his stuntcar instead of a knife or machete. "Robert's film is Horror, it couldn't happen, but mine is Terror because it could."–Quentin Tarantino Before or in between the movies, there will be a series of fake movie trailers (as it was customary in old grindhouse theatres to show coming attractions in the double features). Robert Rodriguez presents a Mexploitation trailer starring the hard boiled actor Danny Trejo in the title role of "Machete". Edgar Wright (director of Shaun of the Dead) presents "Don't", a "70s style British horror film". Rob Zombie presents a Nazisploitation-sci-fi-horror flick "Werewolf Women of the S.S.", starring Sherri Moon Zombie, Sybill Danning, Udo Kier, Bill Mosely and Nicolas Cage as the legendary Asian mastermind Dr. Fu Manchu. Eli Roth's (Hostel) fake trailer is an ultraviolent homage to 1970s/'80s holiday themed slasher films called "Thanksgiving". An additional fake trailer called "Hobo with a Shotgun", created by Dartmouth, Nova Scotia filmmakers Jason Eisener, Rob Cotterill, and John Davies for Robert Rodriguez's SXSW Grindhouse Trailers contest, has been included in Canadian theaters. "Hobo with a Shotgun" is attached to the other regular trailers played before the main feature presentation which begins with "Machete". (1) Jason Eisener's, Rob Cotterill's and John Davies' "Hobo with a Shotgun" trailer [Canada only?], (2) Robert Rodriguez's "Machete" trailer, (3) Robert Rodriguez's "Planet Terror", (4) Rob Zombie's "Werewolf Women of the SS" trailer, (5) Edgar Wright's "Don't" trailer, (6) Eli Roth's "Thanksgiving" trailer, and (7) Quentin Tarantino's "Death Proof". Contrary to popular rumor, the missing reels idea in "Death Proof" and "Planet Terror" were not true staples of Grindhouse moviegoing. While many Grindhouse films would be missing frames, they were never missing entire 20-30-minute reels. The concept for this came from a film Quentin owns ("The Sell Out" starring Oliver Reed) which had a missing reel. He found he enjoyed watching the film with a chunk of the film's plot missing because it created an interesting mystery about what actually happened in that part of the film. This idea was then transferred to the two Grindhouse features. It also helped cut down the runtime for the movie's theatrical run. There was some controversy in the distribution overseas for Grindhouse. Because most non-English speaking territories might not understand the tradition behind a double feature, the underlying concept might be lost. There were decisions being made as to which countries will get Grindhouse, and which will get "Grindhouse: Planet Terror" and "Grindhouse: Death Proof" After the Boxoffice flop in the North America, Weinstein decided to split up the movie in all other countries, including earlier announced double feature countries like the UK and Australia. Although some people have criticized, sometimes harshly, the look of the film because of its manual "aging" process, it is actually a good thing. First of all, they helped in the rating procedure of the Motion Picture Association of America (MPAA). There had been a concern about the nudity and violence during one of the deaths in Roth's segment "Thanksgiving". Before the final submission to the MPAA, "age" spots were strategically placed on the area of frame where it showed the nudity and violence, where it suddenly became implied instead of being visual. Secondly, it keeps with the presentation as Tarantino and Rodriguez intended the film to look like, as if you got a well worn print of a film that had been making the distribution rounds for a good while and decided to show it one day. Since the theatrical version of the film is what they strived for to presented to the public, it would be considered their "director's cut". The DVDs will have two versions of each film: the theatrical version and a "restored and remastered" version of the film which is basically the films before undergoing the "aging" process. Also, take into account there are versions of both films pushing 2 hours, due to the fact they are being split up in other countries. So, the DVD may incorporate these versions as well, making a 250-minute version. Only 18 seconds is supposedly deleted from the original cut from an interview on G4TV.
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